Lasciatemi in pace

Inked out in a bold slant on thick white paper pinned to his shirt, this is the message Barlozzo wears one morning up at the bar.

“Oggi sono belligerante. Lasciatemi in pace.”

“Today I am belligerent. Leave me in peace.”

- A Thousand Days in Tuscany,  Marlena De Blasi

After a long time..

For the first time, I stopped reading a book midway – not because it would be sheer torture to continue, but because I wanted the moment in the book’s arc to linger. To let the character to live through the phase in slow motion.. and to live it with him.

That someone, even a character in a book, has gone ahead and done what I have dreamed of doing a zillion times and not done it because ‘society’ would feel ‘insulted’, is such a source of wicked pleasure!

Frankly, just how long can one keep smiling politely, nodding, making appropriate noises of approval or disapproval without really listening to chatter? And of course, mind-voice running in a loop “Please go. Please go. Please go. Pleaaaaaase gooooo!”.

Sometimes in life, one simply wants to be left alone – free of that incessant chatter that passes for conversation. Depression, an anti-social state of mind,  stirrings of misanthropy, introverted asociality, call it what you may… it just seems like too much of an energy drain to indulge people in pointless verbal routines – ‘society’ choreographed routines in which not a speck of useful information, not a twinge of emotion, not a single smile is passed along.

Technology is a great aid for such a state of mind – it is so damn easy to cut off – switch the phone off, don’t log in to chat, ignore emails for as long as you can without feeling too guilty, forget your wordpress account (yeah, yeah.. I am yet to see the comments of my last post)… you get the trend.

Friends are easy to cut off – you say “shut up”, they shut up. They are darlings that way [Darlings, are you reading? :D ].

Family too – you simply add “Whether you shut up or not, I am not listening. So, it only makes sense that you shut up.” If not the first time, surely the second, fourth, fourteenth or forty-eighth time.

But, just how does one cut off those ‘friendly’ people, who are not actually friends?

People just don’t take a hint! Even if you put on huge headphones & pretend (well, half the time) to not have heard them, they insist on tapping on your shoulder and asking you brilliant questions..

“How are you?” [sticky, slimy and green in an alien goo way - don't you want to run away before I dirty you?]

“What’s up?” [ceiling fan; ceiling; another floor; the sky beyond that; and if I hear right, an aircraft whizzing past; and if you wish, some God-folk.]

“How’s life?” [unfair - it keeps throwing pointlessness at me]

“What else?” [I am tossing whether to stare at you long and hard enough to make you squirm and flee in terror?]

“Then.. Tell me..”  [loose-a nee? (translation: are you a nutcase?)]

“So?”  [inga nee loose-a naan loose-a? (translation: are you the nutcase, or am I the nutcase here?)]

Of these, this “How are you?” is the super-villain of questions. You are supposed to say fine, irrespective of whether you are fine, and throw the question back. And you hope that they follow protocol and say “Fine. Thank you.”

But some people love to break rules in the name of following rules. They insist on telling you allllll about their current life. They had fever, and severe cold, and vomited 5 times (throw in action replay of the vomiting – 5 times of course). Did you know that they had to take paracetamol?? And, dear god, aciloc too!

And if you are lucky, you are told who made them angry, who irritated them, who they want to whack etc. Note : most people wouldn’t tell you who made them happy – even if a smile from that information is the only thing that can possibly justify the chatter. Apparently, if you say that, “kannu pattudum”/”nazar lag jaayegi”.

The most awkward part of the whole (boring) drama is the end – the silent 10-second stretch when you think this is going to end & get ready to bestow your “See you” smile and they think whether it is too soon to say “Ok then.. Me go work. See you later”. Alas! If only! The loop has to run 5-6 times! Sigh!

Okay.. I am getting bored with this rant myself.. So, four questions..

a) Why is “Leaving people alone” such an alien concept in our society? Quite obviously, no one gains anything from this chatter. A simple ‘Hi’ waved from afar  and finished neatly with a smile would be so much better. Why do we behave like robots programmed to follow a certain exchange protocol each time we come across another robot?

b) Why can’t people ‘get’ it when I try to be rude & insulting by not participating in the conversation as they expect me to? Come on.. it is supposed to be the easiest of things to insult people & hurt sentiments in our country. I have even tried staring intently in passionate concentration at the illegible C++ code on my monitor, making faces (at the code), and suddenly saying “oh.. sorry.. what did you say?” and smiling as falsely as possible. Na.. no effect. :(

c) Is there a chatter-repellent? Something I can slather on along with my mosquito-repellent? Something as effective as Odomos please.

d) Where can I get a t-shirt or vest saying what Barlozzo wore – “Leave me in peace”?

 

I just don’t get it!

 

P.S. Shout out to TGND for pointing out the beautiful book! Thanks – quite a few of my “spontaneous pick-up-and-read” books seem to be those reviewed by you. I think I blame that on they yummy way you gush about such books :)

List the differences between Normal and Serious Tamil Cinema. (10 marks)

Answer :

Difference #1 :

Normal Cinema : Everybody lives in the posh localities of Chennai, in homes with bright white walls, a glass-top dining table, and if possible, a grand big oonjal in the living room.

Serious Cinema : Everybody lives in, or hails from either dusty dry parched red-muddy or lush green paddy-fielded villages.

Difference #2 :

Normal Cinema : Malls. Cafe Coffee Day. That’s where the skinny-jeans clad, sleek-straight-left-open-haired heroine whizzes past the hero – laughing musically with her similarly dressed gang of girls.
Serious Cinema : Sandhai (village weekly markets). Kovil Thiruvizha (temple fests). That’s where the paavaadai-dhaavani clad, oiled-tightly-plaited-tied-with-orange/green-ribbon-haired heroine whizzes past the hero – laughing musically with her similarly dressed gang of girls.

Difference #3 :

Normal Cinema : Cars fly over lorries and ambassadors, land smoothly, and then swoosh forward with gusto.
Serious Cinema : They don’t exist. All people are too poor to afford automobiles. If at all, only the villain’s goons appear in one – heads & aruvaals jutting out of the windows – during the climax sequence.

Difference #4 :

Normal Cinema : People wear fashionable sunglasses all the time – indoors, at night, inside movie halls (and probably to bed and in the shower too, who knows!).
Serious Cinema : People roll eyes all the time – not to mock anything or out of annoyance – they just do, it is the character’s natural body language.

Difference #5 :

Normal Cinema : The sky is always all lovely blue, with just the right scattering of fluffy clouds. Or inky black, cloudless, with a rich smattering of stars irrespective of air-pollution levels, and a radiant moon.
Serious Cinema : No light, no sun, no sky. You, along with the characters are perpetually groping in the dark – literally. If you are lucky, you get dark grey clouds pouring down just when the protagonist gets all weepy. This does not apply when he/she loses control and wails, howls or vechifies oppaari.

Difference #6 :

Normal Cinema : Fight sequences are always beautifully speed-choreographed with henchmen flying & landing head-first on concrete, but with their head intact – no blood except for gun shots & knife stabs. This is neat & tidy, sleek cinema.
Serious Cinema : Fight sequences involve people falling over each other, slashing aruvaals & uruttukattais aimlessly, and smashing each others’ heads with huge stones – and of course freely flowing blood – and continuing for ever, making you wonder if they are cats with nine lives.

Difference #7 :

Normal Cinema : Every film has a ‘bedroom scene’ involving pristine white sheets tastefully thrown over bare backs and bare feet.
Serious Cinema : Every film involves a rape scene (at least attempted earnestly, and just missed), preferably a brutal gang-rape, or a woman forced by ‘circumstances’ to ‘relent’ to some sleazy guy.

Difference #8 :

Normal Cinema : All lead women are fair-complexioned – ‘white as milk’, and speak more English than (horrible, giggly) Tamil.
Serious Cinema : All lead women are fair-complexion-made-dark-by-two-tonnes-of-makeup who don’t speak English (remember, they are too poor?), but speak very urban English sounding Tamil twisted into supposedly rustic, rural Tamil.

Difference #9 :

Normal Cinema : Nobody has limp/frizzy/disheveled hair – even after a bike ride on a windy ECR. And all young women leave their hair open – curled, uncurled, permed, streaked, straightened to vermicelli – just like everybody in hot, humid, conservative Chennai does in reality!
Serious Cinema : We are repeatedly enlightened about how men trim their nose hair*. And lunatic Aghori ascetics sport nicely colored and blow-dried shiny locks falling softly across their faces**

* I really did not know about this nose-hair-trimming business till I watched either Virumandi or Pushpak last year – I swear!

** You think I exaggerate? Refer Naan Kadavul’s hero’s hair for proof.

Difference #10 :

Normal Cinema : You can  bear to watch most. At least when bribed with enough pop-corn and crackpot friends to laugh with – at sequences intentionally or unintentionally funny, or with funny running commentary.
Serious Cinema : You can’t get yourself to finish most. If you force yourself to (because of some flash of insanity), you keep wondering a) what is happening b) what is being said c) what is being meant, especially by those ‘bad word’ sounding words and ‘double meaning’ sounding phrases d) why you decided to watch this depressing stuff e) why you are still watching.

 

 

That’s all. Phew! If that doesn’t get me a 10 on 10, I don’t know what would!

P.S. If you have to know, I got insane enough to watch Paruthiveeran and Naan Kadavul last night, and got all similar bad memories triggered. 

P.S.  Okay. With that earth-shattering wisdom off my head, moi get back to research now – of the kind I am expected to do.  And back to  Kadhala Kadhala or MMKR playing in one corner of my C++ populated screen. :P

Word Muse #5 – பாவை

For what are ‘Word Muses’ and the list till now, look here.

 

Request : Please forgive spelling mistakes if any. I am largely out of touch with the written form of any language except English and Mathematics!  Free spell-checks and corrections hugely appreciated [sheepish grin].

 

பாவை விளக்கு

 

பெயரில்லாத பாவை விளக்கவள்.
தேயத் தேய ஒளிரும் தேகத்தவள்.
இடை ஒடித்து இதழ் குவித்து,
தீபம் ஏந்தி நிதம் நிற்ப்பவள்.

 

நேற்று கவிதாவின் மண மேடையில்,
இன்று செல்வியின் மஞ்சள் நீராட்டு விழாவில்,
நாளை குழலியின் வளைகாப்பு கலகலப்பில்.
என்றும் உள்ளங்கையின் சுடு காயம் மறந்து,
வலி மறைத்து மெலிதாய் சிரிக்கப் பழகியவள்.

 

அவர்களும் இவள் இனம் தானோ?
பேசவும் தெரிந்த, பேசாதிருக்கவும் தெரிந்த
குடும்ப விளக்காக செதுக்கப்பட்ட உயிர்க் கற்க்கள்.

 

பாவை இவளுக்கு ஓய்வு – திரி சுருங்க.
பாவம் அவர்களுக்கு ஓய்வு – உயிர் சுருங்கவும் உண்டோ..
சுயமும் ஸ்வரமும் உயர்த்திப்  பேசாதிருக்கும் வரை?

 

 

Transliteration :

 

Paavai ViLakku

 

peyarillaadha paavai viLakkavaL.
thEyath thEya oLirum dhEgaththavaL.
idai odiththu, idhazh kuviththu,
dheepam Endhi nidham niRppavaL.

 

nEtru kavithaa-vin maNa mEdaiyil,
indru selvi-yin manjaL neerAttu vizhaavil,
naaLai kuzhali-yin vaLaikaappu kalakalappil.
endrum uLLangkaiyyin sudu kaayam marandhu
vali maraiththu melidhaai sirikkap pazhagiyavaL.

 

avargaLum ivaL inam dhaanO?
pEsavum therindha pEsaadhirukkavum therindha
kudumba viLakkugaLaai sedhukkappatta uyirkkarkaL.

 

paavai ivaLukku Oiyvu thiri surunga.
paavam avargaLukku Oiyvu uyir surungavum undo..
suyamum swaramum uyarththip pEsaadhirukkum varai?

 

Silence Lost

Deep-cut embellished blouses. Arms waxed and moisturized smooth.
Perfectly pleated saree draped to reveal just a hint of a sexy waist.
Eyebrows arched just right. Kajal applied just so.
Two pairs of lips colored to attract ever so subtly.
Two pairs of eyes seeking each other intermittently.
 

A crowd gathers not too slowly.
Voices are found as numbers increase.
“Go away. You people are not allowed here.”
“Get up from that bench. We can’t sit with you.”

 

Lips quivering with the weight of helpless anger.
Eyes fighting that daily fight – against tears.
“Why? What wrong did we do?”
“We are people too. We have the same rights as you.”

 

An electric train pulls in and out unnoticed.
All of Nungambakkam railway station is here.
Shouting, watching, discussing, whispering.
 

“Don’t sit here, ma. Move to that bench there.”
“They are bad people. Dangerous.”

 

I look up to a man in a lungi worn thigh-high.
Speaking to me with an urgency..
An urgency that doesn’t suit my beloved Chennai’s Tamizh.
 

The two transgender beauties get up to leave.
One crying humiliated tears.
The other cursing at the crowd.
Both leading each other away to safety.
 

Their swaying backs disappear at the far end of the platform.
The satisfied crowd disperses to wait for their trains.
The lungi man is back to manning his shop.
Nungambakkam station is back to its busy self.
I am back to sitting alone watching people and trains.
A tad confused and dazed. What just happened?
 

My friend comes running down the stairs.
We hug and laugh.
We start talking – fast, together.
I dust myself off.
The past five minutes promptly forgotten..
Forgotten for now.

 

It has been more than a year..
But the scene keeps playing in my head.
Did I move from that bench?
May be I did.
I don’t remember.
 

Sometimes, you don’t remember what happened.
Sometimes, you remember what nobody else remembers..
Sometimes, you remember what did not happen..
What you did not do.
What you did not say.
 

I did not speak up.
I did not refuse to move.
I did not stand up for them.
I did not stand up for what I believed.
In any way!
 

I felt guilt.
Guilt that I remember most vividly.
 

Does not feel good.. at all!
A feeling that would remind me for life..
To stand up for what I believe.
To never stay a mute spectator to injustice.
Never again..
For my own sake.
 

Ouch.. Silence stings!
Doesn’t it?
Silence better lost – for good.